One Handed

With a rawhide edge and linen faces, this buckler will provide you the protection and feedback that you crave. The boss fits a light glove, and the faceted nails give you that truly authentic feel. Pair it with a steel arming sword to complete the package.

3 lb, 2 oz

14 inches diameter

2 1/2 inches boss depth

5 inches boss width

Rawhide rim with linen covered wood core

Based on: Mid-16th century, items depicted in manuals of the period and surviving examples.

Overall length: 32"

Blade Length: 25.8"

Blade Width: 1.6"

Nagel Height: ~2.75"

Grip Length: 5.7"

Balance Point: 3.75"

Weight: 1.49 lbs (675g)

 A steel Dussack trainer has been a frequent request from our customers for some time.  The form of this sword is based on the dussack trainers portrayed in German fencing treatises including Meyer's 1570 "The Art of Combat", but its handling mimics that of a sharp sword.  Although period trainers were usually wood covered in leather, or whale-bone, this product permits much better sensitivity in the bind than synthetic, leather, or other training tools currently on the market.  This elegantly simple piece is not only a joy to hold in the hand but should give long and steady service in the practice of the Dussack, an iconic piece in the german fencing traditions of the late medieval period.

It has a sturdy hand forged nagel that is hot peened to the blade providing protection for the hand. The wooden scale grips are glued and set with steel pins. The knuckle bow is enlarged to provide clearance for the heavy gauntlets allowing manipulation of the sword with little hindrance from safety equipment.  The blade is flexible enough that it is safe for bouting with standard safety equipment.  We especially recommend this product as a training tool for developing a nuanced understanding of this complex weapon.  

 Here is an excellent article about the history of the Dussack on HROARR.

In Blackfencer's Falkner-style messer, the straight false edge and clipped long edge tip come together in a fun and distinctive blade shape. The sword maintains the balance and feeling of standard messers, making the selection of this weapon one of personal preference.

2 lb, 2.5 oz ~

4 inches from cross point of balance

7 1/4 inch cross width

7 3/4 inch grip-able handle

27 inch blade length

1 1/2 inch to 1/2 inch blade width (cross to tip)

36 inches overall length

1 1/2 inch ring (nagel) height

Based on Original: The pieces illustrated in A Thorough Description of the Art of Combat published in 1570 by Joachim Meyer.

Overall Length: ~36.75"

Blade Length: 31"

Blade Width: 1.15"

Quillon Width: 10"

Grip Length: 3.5"

Balance Point: 3.6"

Weight: 2.5 lbs

This training sword is based on the pieces illustrated in A Thorough Description of the Art of Combat published in 1570 by Joachim Meyer. He was a cutler as well as a teacher of the sword creating this major work on swordplay, which had several printings. He covers several different types of weapons in this work and it is often looked at as an important work dealing in the weapons of the 16th C. 

This rapier is of a simple form with a straight barrel turned cross, a single side ring and knuckle bow. It has a bulbous pommel and matching terminators on the arms of the guard. It is gripped with out the finger passing over the guard as can be seen in the manual illustration below. The hilt furniture is steel. The grip is bound with strands of twisted wire. The blade is made of 6150 steel and has a rectangular cross section similar to our side sword trainer. This sturdy blade will last for many hours of practice and sparring.

Based on Original: Circa 1380-1410 Italian, Private Collection

Overall length: 37.5"

Blade Length: 31"

Blade Width: 2"

Guard Width: 8.6"

Grip Length: 4.5"

Balance Point: 3.25"

Weight: 2.6 lbs

This sword is typified as an Oakeshott Type XV of classic form by its tapering stout blade, wheel pommel and straight cross guard. A style of sword that was popular with the fighting men of Southern and Eastern Europe from the 13th to the 15th Century. There are many examples illustrated in Italian art of first half of the 15th Century in particular.

This sword would have been an excellent weapon for a Knight of the period with a strong blade well suited to the thrust as well as the cut. Period fight manuals, such as the Flower of Battle by Fiore dei Liberi depict just such swords.

The pommel of the original sword was inset with a copper coin depicting the Duke of Urbino. While our supply of 14th century copper coins does not allow us to include one, you may want to add your own decoration to the pommel by gluing something into the insets as they did on the original.

Based on Original: dated circa 960 AD - 1035 AD, Anglo-Saxon. Find place: Thames at Wandsworth, Museum of London A2373.

• Overall length: 34.5"

• Blade length: 29.2"

• Blade width: 2.2"

• Balance point: 5.8"

• Weight: 2.1 lbs

This reproduction is based on an Anglo-Saxon sword from about the year 1000. This sword was found in riverbed of the Thames in two parts near Putney, south west of London. It is often referred to as the Wandsworth sword. The upper and lower guards are curved in shape and the pommel is of the three lobed variety made of two pieces. We have chosen to do the pommel in the same way with an upper half formed of three lobes and the lower half a curved shaped the mirrors the guard.

This sword is dated to a time of struggle in the history of England. The clash of the Kingdom of Wessex and the Danelaw was ongoing throughout the period. The raiding of the coast by the Danish starting at the end of the 10th Century added to the troubles. There was quite a bit of conflict and a good sword would have been in high demand.

The original has a blade inlaid with INGELRII on one face and two groups of three bars on the opposite. There are many swords with such inscriptions in the blade from this period. They where made in many locals and almost certainly had significant meaning to those who produced and owned these weapons.

The modern person often finds the hilts of these swords to be unique in handling. There is a great discussion here about how these swords where wielded. This Type X blade makes for a sword that feels quite light in the hand. It would be excellent for the style of combat of its day. Here are two interesting sources for what the combat of this type may well have looked like Hurstwic Sword and Shield Combat and Dimicator on Facebook.

Based on Original: Circa 1480-1520 Irish, Provenance Unknown

Overall Length: 37.4"

Blade Length: 31.5"

Blade Width: 1.75"

Quillon Width: 9.1"

Grip Length: 3"

Balance Point: 5.25"

Weight: 2.5 lbs / 1134 gr

This is a purely Irish design and one of only a few types of sword which can be attributed to a specific nationality. It's a unique design, highlighted by a spatulated crossguard and a pommel constructed as a ring with the tang passing through it. A rare sword for any collection.

The style of sword was carried by the Irish fighters in their homeland and as mercenary soldiers on the continent. They had aquired a fearsome reputation as stealthy fighters. Probably in no small part to their constant practice of cattle raiding back home.

The unquie pommel design is probably a development from the normal wheel pommel style. Some of these where made as a heavy ring with face plates. If the face plates are left off this structure you would have a ring for a pommel.

Based on Original: Sword Circa 1560, Deutsches Klingen Museum, Solingen

Overall length: 12.6"

Blade length: 8.25"

Blade width: 1.1"

The German and Swiss Landsknechts were considered the elite troops of their day. Their weapons were designed for the close-in fighting of hand-to-hand combat, being light and quick in action. We have created this matching dagger to accompany the #149 Katzbalger Sword. The unique hilt of these weapons consists of a figure-eight shaped guard and a grip and pommel of a unique shape. They are very comfortable in the hand and well suited for the style of combat.

Based on original: 14th C, Kölnisches Stadtmuseum.

Overall length: 17.25"

Blade length: 12.3"

Blade width 1"

Grip length: 3.5"

Guard width: 3"

Weight .9 lbs

A dark hardwood grip accents the deadly steel of this stout knife. A piece that would have been contemporary with rondel daggers, this messer would have been the equal to any in knightly hand to hand combat. Strong enough to use as a lever against an armored opponent it could also slice with deadly intent when meeting a softer target than armor.

A solid steel butt and stout guard offer a feeling of power when held in the hand in either grip. This dagger would work well for such combat systems as Liechtenauer or Fiore.

Based on Original: Circa 1375-1400, Wallace Collection, London (A460)

Overall length: 37.4"

Blade length: 30"

Blade Width: 2.4"

Guard Width: 8.25"

Grip Length: 4.2"

Balance Point: 3"

Weight: 2.9 lbs (1315g) 

Here is a sword illustrating some of the finest quality achieved by the smiths of the middle ages. The combination of form and function are brought together with great efficiency. This 14th century sword is often identified as an exceptional example of the knightly weapon.

It has a well-proportioned wheel pommel with circular inset centers and a tall pommel nut. The arms of the guard taper evenly as they curve toward the blade. The grip is hardwood covered in leather and the furniture is done in steel.

Based on Original: Circa 1450-1500, Italian, private collection.

Overall length: 37.4"

Blade Length: 31.9"

Blade Width: 1.6"

Guard Width: 6.3"

Grip Length: 3.2"

Balance Point: 4.5"

Weight: 2.4 lbs

An elegant and deadly single-handed sword of the 15th Century, replicated from an original most likely made in southern Europe. This sword is capable of solid cuts and accurate thrusts from its Type XVIII blade. Seen in art of the period on the hip of soldiers and lords alike, this form of sword is similar to an example from the famous Dordogne river find of swords.

The stout wheel pommel and short straight guard frame a grip designed to be held so the hand has contact with the furniture. This allows the back of the hand to power movements of the blade, especially when using the back edge attacks. Use of the sword in one hand like this is described in the manuals of the period and excellent examples of how that is done can be found on the excellent blog and site at Dimicator Medieval Swordplay. 

We have titled this sword Fornovo after The Battle of Fornovo, in 1495, an engagement that well could have seen this sword in use by the invading French forces or their Venetian opponents and allies.